Nothing Above My Shoulders But the Evening Review

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Nothing Above My Shoulders But the Evening ReviewProduced in 1993, this was to be Ray Lynch's last commercial album. In a career that started out in classical and medieval music, Lynch eventually took a musical journey that took him into 'meditation' music, electronic popular forms, and, finally, back to his acoustic roots. This eclectic collection is a reprise of his forms, with a few unexpected adventures.
Even a cursory listen reveals that his electronic repertoire has moved into second place. Instead, Lynch makes use of his own instrumental skills in tandem with a stellar collection of performers, mostly from the San Francisco Symphony. What you get is still unmistakably Lynch, but with a twist. The instrumentation leaves you unsure if this is intended as 'popular' or 'serious' music - but I suspect that Lynch wanted exactly that conflict so that the listener must fashion his own responses.
Or not, as the case may be. The album title, of course, is a giveaway. We are being invited to listen without the intervention of our heads. A challenge under any circumstances, and Lynch has no intention of helping us by presenting music with uncomplicated content. But whether you think or just react, there is something here which makes this album special.
Not everything here will please any particular listener. I found Ivory to be one of the best compositions Lynch has ever created. Yet on the same album is Mesquite which, to me, is a uncomfortable parody of Southwestern styling. In between lies everything both sincere and pompous. And yet, if you listen carefully, you will here little turns and phrases obviously intended to bind everything together as a whole.
An interesting album, that makes no excuses for itself. Perhaps, going headless is a good idea.Nothing Above My Shoulders But the Evening Overview

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