Chaos Theory: Splinter Cell 3 Soundtrack Review

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Chaos Theory: Splinter Cell 3 Soundtrack ReviewOnce upon a time, the only video games that had soundtracks worth buying separately were Japanese RPGs. Occasionally, a Western game would come along with a great compilation soundtrack (see the Grand Theft Auto series), but for the most part, music composed specifically for games was unable to stand alone as an artistic work.
Fast forward to the end of 2004. UbiSoft was making the third installment of their popular Splinter Cell series, and the need for some creepy, paranoid music naturally arose. Some inspired soul (whose name is lost to history) suggested that the job be offered to electronic artist Amon Tobin, perhaps thinking that his bass-heavy groovalicious style would adapt well to stealth based gameplay. The Powers That Be agreed, and gave Amon a lot of money with which to score their still-developing game.
When Amon returned after completing the soundtrack, the results were better than anyone expected. CHAOS THEORY struck a perfect balance between spooky ambience and jackhammer beats, often shifting rapidly between the two, but throughout it all there was an undeniable sense of beauty which did not exist in spite of the chaos but rather arose from it. Indeed, this chaotic beauty led many who listened to make comparisons to another artist, Aphex Twin.
But CHAOS THEORY was much more than an Aphex knock-off. Amon had put UbiSoft's money to good use, hiring an all-star lineup of studio players to make the soundtrack the best it could be. These studio session gave CHAOS THEORY a very organic feel that is usually missing from video game soundtracks, and was definitely absent from Aphex Twin's 2001 album, DRUQKS.
The album started off with "The Lighthouse," and while it wasn't necessarily the best track off the album, it was still pretty darn close, with a jerky bass riff that immediately created a sense of paranoia in the listener. It was the perfect setup to an album which cultivated a wide range of emotions, most of them disturbing. CHAOS THEORY never really let up on these emotions, instead, Amon simply switched from one emotion to another, from paranoia to panic to uneasiness and back to paranoia, often within a single track.
All involved with the project were so pleased that it was decided that Amon's soundtrack would be released several months ahead of the actual game. The reason for this was simple: where most consumers hear music in a game and then would desire to purchase the soundtrack, hearing this soundtrack actually made people want to play the game. Reviewers across the land encouraged everyone they met, even those with no interest in video games, to purchase the album, and all who heard the free MP3 of "The Lighthouse" provided on amazon.com were more than willing to fork over the cash to hear the rest of CHAOS THEORY, with the result that Amon Tobin became obscenely wealthy, and nobody payed any attention to the drivel that MTV played anymore.
And they all lived happily ever after.Chaos Theory: Splinter Cell 3 Soundtrack Overview

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