Their Satanic Majesties Request Review

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Their Satanic Majesties Request ReviewI already have a review for the original CD release of this album for Amazon, but the remaster of this highly underrated
album was so important that I feel it warrants another review.
In short--get it *now*. "Satanic Majesties" is an album of such dense layers of sound effects that it really deserves the best possible sound quality, which is what it finally receives here.
No matter what you think of the album, it sounds almost brand new, with a clarity, crispness and rich aural sheen completely missing from the original CD. This is much closer to the original vinyl, and I would even say superior, since there are sounds I had *never* heard before..."Sing This All Together",
"In Another Land" and "Gomper" sound particularly strong, with the stereo separation making it sound as if the entire band is playing in your living room.
I have always had a soft spot in my heart for "Satanic"--sure, it sounds nothing like The Stones, but that's part of what gives it its charm. It certainly sounds almost nothing like "Sgt.Pepper", either, although it is clearly influenced by it. Songs like "Citadel", "2000 Light Years" and "Gomper" are much darker, heavier and more experimental than anything on "Pepper", and the catchy riffs and hooks *are* still there. There's only one thing missing in the new CD remaster and that is the 3-D effect on the cover art, although the rest of the packaging is up to par.Their Satanic Majesties Request OverviewPart druggy experiment, part musical rivalry with the Fab Four, and a total anomaly in the Rolling Stones' catalogue, THEIR SATANIC MAJESTIES REQUEST contains at least three trippy classics in "Citadel," "She's a Rainbow," and "2000 Light Years From Home." That it also contains an extensive sample of Bill Wyman snoring and an eight-minute stoned jam that begins with the timeless phrase "Where's that joint?" is a measure of SATANIC MAJESTIES' breadth of genius and folly. There's a lot going on here--try comparing the wayward Eastern atmospheres of "Gomper" to anything on BEGGAR'S BANQUET, and marvel that you're listening to the same band. The fact that Jagger and Richards could still come up with the unimpeachably charming "She's a Rainbow"--baroque pop at its finest--and a fair stab at heavy R&B in "The Lantern," while attempting to negotiate the band's rocky passage through Flower Power is a tribute to their vision, their perseverance, and their drugs of choice.
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