Little Tunes for the Big Bassoon Review

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Little Tunes for the Big Bassoon ReviewIt's probably fair to say that this is Susan Nigro's most popularistic CD. Both "Little" and "Tunes" from the title are aptly chosen. These certainly aren't monumental works, but fun, pleasant tunes. That's largely true of her other CDs too, but this one more so. In this case, that includes several cute, jazzy tunes, like "Take Five." If you're looking for profound works, this is not the CD for you, but if you want something light-hearted, this is it.
Speaking in generalities about Nigro's performance, it's pretty clear that she's a very capable performer, and this particular CD does a good job of showing off flashy technique, such as in Bozza's "Burlesque." Yes, I did say "flashy technique"; the contrabassoon is an amazingly agile instrument.
My only concern about Susan Nigro's performance here and in her other CDs regards her tone. It's a good tone to be sure, so I wouldn't let that dissuade you from buying her CDs. Still, it doesn't strike me as bassoon-family enough. Expecially at high volumes in the middle and low registers, it sounds a tad too saxophone-like for my personal tastes. A saxophone sound is fine, provided that it comes from a saxophone! Her upper-register sound, on the other hand, especially at lower volumes, is quite sweet and beautiful. The slow, lyrical middle section of that same Bozza "Burlesque" shows that well.Little Tunes for the Big Bassoon Overview

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